Born out of a recording project for a sound recording dissertation, Cardiff-based The Family Battenberg create self-described “spider rock” – a fantastically fuzzy, psychedelic breed of garage rock that draws from 70s glam rock, garage punk and bubblegum pop.
The recording project unintentionally became their first release, Fuzzy Features, and the DIY-ethos continued over their next few releases, with the band releasing a string of singles and their first EP Spider Rock Forever. Producing their own records with singer/guitarist Eliot Jones at the desk meant that the band could lean into the roughness of their own sound and make things sound as “garagey and nasty” as they wanted without being at the mercy of another producer.
We caught up with Eliot to talk about five special records that have influenced him and his lifelong obsession with fuzz, weirdness and making things sound a little bit nasty.
1. What’s one album you think everyone should hear at least once?
Mort Garson’s Plantasia. Might well be the only album I listen to without some semblance of guitars. It’s fun and weird and filled with ear candy, Mort was a legend (I assume).